Two social media packages can have the same price and the same headline, "12 posts and 4 reels a month", and produce completely different work. One uses templates, stock footage and a caption. The other involves a shoot day, a script and an edit. The number of items tells you almost nothing about their worth.

Short answerCompare packages by what is produced and who produces it, not by the count of posts. The largest price differences come from video, shoots and how much strategy is involved.

What a package should say

  • The calendar. Who plans it, how far ahead, and whether it is tied to a business goal or just a posting rhythm.
  • Production. Static graphics, carousels, reels, stories. Whether the agency shoots, or you supply footage.
  • Community management. Who replies to comments and messages, within what time, on which days.
  • Reporting. How often, and whether it discusses outcomes or only likes.
  • Approvals. How many rounds of revision are included.

Where the cost hides

Shoot days. A reel filmed with a director, a location and an edit costs more than one assembled from stock. It is also the difference between content people remember and content that looks like everyone else’s.

Strategy time. A calendar tied to your goals means someone thinking about your business first. Cheaper packages skip this and post to a schedule.

Paid support. Organic content alone rarely reaches a new audience quickly. If the plan needs paid promotion, the budget is separate.

The per-post trap

Pricing per post encourages volume. Twelve mediocre posts cost less to make than four excellent ones, and the volume pleases everyone until the results arrive. Ask how the agency would spend the same budget on fewer, better pieces.

What good looks like

Saved posts, profile visits, qualified enquiries by message and bookings. If a report opens with follower counts, ask what those followers did. Our service tracks saves, profile visits, qualified DMs and bookings, because those are the numbers that lead to customers.

What changes as the budget changes

Budget levelWhat tends to be possibleWhat to expect to give up
SmallA consistent calendar, simple graphics, occasional short videoRegular shoots, heavy strategy, paid promotion
MediumA planned mix of reels, carousels and posts, with some shoots and community repliesLarge productions, wide paid campaigns
LargerRegular shoots, creator work, paid support and detailed reportingLittle, if the strategy is clear

Ask to see a sample month

Any agency can describe a package. Fewer can show you what a real month looked like: the calendar, a few finished pieces, the report at the end and what was learned. If an agency cannot show a sample for another client, ask for a small trial month with clear aims, and judge it on what you receive.

The hours behind community management

Replying to comments and messages takes time, and the cost rises with the volume and with expectations for speed. If your page gets many messages, ask who replies, during what hours, and what happens on holidays and weekends. Some businesses handle replies themselves and use the agency for planning and production, which can be a sensible split.

How we approach it

Our social media service includes a monthly content calendar mapped to business goals, reels, carousels, posts and stories, page management and community replies, and a review every two weeks. Both founders come from theatre, and we write and direct reels as short stories. The price depends on how much production is involved, so we quote after understanding the goal. See how we plan social media marketing, or how we make video on the reel and video production page.

Keep reading